Side Show (November 2002)
Book and Lyrics by Bill Russell
Music by Henry Krieger
Directed by Craig Pettinati
Artistic Direction by Victor Vail
Music Direction by Diego Prieto
Choreography by Anita Durall Anderson
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Performances
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Fridays and Saturdays -- Nov. 1, 2, 8, 9, 15 (no show on the 16th), 22, 23 (all at 8pm) and one Sunday matinee on Nov. 10 at 3pm.
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Location
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The Kensington Town Center (address is at the bottom
of the page, and directions can be found here)
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Reviews
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The Gazette |
Potomac Stages
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Pictures
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Terry, Daisy, Violet, Buddy
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Awards
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Ruby Griffith Award for 2nd Runner-Up, Outstanding Achievement in a Musical
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For More Info
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Call us at 206.888.6642 or e-mail us at katonline.email@gmail.com.
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Cast (in alphabetical order)
| Buddy Foster |
Matthew A. Anderson |
| Harem Girl #2 |
Erin Bishop |
| Harem Girl #3 |
Jennifer Blanton |
| Snake Lady |
Celia de Blas |
| Bearded Lady |
Joe Cannon |
| Fakir |
Jose Antonio Casanez |
| Dolly Dimples |
Marie Coyle |
| Lobster Lady |
Elizabeth French |
| Terry Connor |
Christopher E. Furry |
| Fortune Teller |
Gayle Gillespie |
| Sheik |
Doe B. Kim |
| Stigmata |
Paul Mattocks |
| Reptile Man |
Pavel Pivonka |
| The Boss |
Diego Prieto |
| Jake |
Aaron Reeder |
| Daisy Hilton |
Cynthia E. Russell |
| Tattooed Lady |
Joey Schaljo |
| Albino Man |
Quintin Katrelle Strange |
| Violet Hilton |
Katie Walsh |
| Harem Girl #1 |
Nora Leslie Zanger |
| Geek |
Kevin Zarcone |
The Side Show cast also plays Reporters, Vaudevillians, the
Follies Company, Party Guests, Radio Show Singers and Hawkers.
Background
Violet and Daisy Hilton
Two of the most scandalous and dramatic conjoined twins in modern
history were undoubtedly Violet and Daisy Hilton. They were born
joined at the hip in Brighton, England, on February 5, 1908. According
to the official biography written as part of their stage act, their
mother was unmarried so the babies were quickly and quietly sold to a
local midwife. Their guardian, Mrs. Mary Hilton, was a tyrant who held
the twins against their will for nearly twenty years. She forced them
into a life in show business where they sang, danced, and played the
saxophone and violin. They spent their youth touring Europe and
Australia, they were taken to San Antonio, Texas, and by 1931 were a
hugely popular act on the American vaudeville circuit. Following a
dramatic escape and court case, Violet and Daisy finally gained their
independence.
The Hilton sisters' career, now under their own control, blossomed.
They performed in the 1932 film "Freaks" and several years later
starred in "Chained for Life," a lurid tale in which one sister stands
accused of murder, but questions are raised as to the fairness of
sending her to jail if her innocent sister must go as well. Both
sisters eventually married, but neither of their marriages were
successful. Daisy's marriage to performer Buddy Sawyer lasted ten
days; Violet's wedding in The Cotton Bowl as part of the 1936 Texas
Centennial was perhaps the peak of the Hiltons' fame. By the 1960s,
their careers had ended. Violet and Daisy lived for several years in
North Carolina, where they worked in a local grocery store as
check-out clerks. In January, 1969, Violet and Daisy died of
complications from influenza.
Synopsis
Act I
The Boss introduces the exhibits in his sideshow "Come Look at
the Freaks," including his star attraction the Siamese twins, Daisy
and Violet. Buddy Foster, an aspiring musician, brings Terry Connor, a
talent scout for the Orpheum Circuit, to see the Siamese twins. Buddy
thinks he could help them create an act and convinces Terry to meet
them. After the Boss rudely refuses Terry's offer to be cut in on the
twins' potential vaudeville career, Terry devises a scheme whereby
Buddy will teach the girls a song. Jake, an African-American who plays
the Cannibal King in the sideshow and is the twins' friend and
protector, begs them to consider what they're getting into and the
whole sideshow family adds its opinion. Before their secret late-night
performance, the twins confess to each other how infatuated they are
with the two men who've come into their lives. The Hilton Sisters'
secret debut is a great success, but the Boss discovers the subterfuge
and physically threatens the twins when they tell him they're leaving
the sideshow. Jake comes to their rescue and the other attractions
threaten to leave also, causing the Boss to back down. Daisy, Violet
and Jake, whom Terry has invited to help backstage on the twins' tour,
bid farewell to their sideshow family. Before their vaudeville debut,
the twins argue about their different ways of expressing interest in
men. After the twins' performing triumph, Terry and Buddy shower them
with kisses. A hostile reporter asks tough questions about the girls'
love life. Terry and Buddy deny any romantic inclinations, leaving the
twins to wonder if they will ever find romantic fulfillment.
Act II
The Hilton Sisters are at the height of their success.
Daisy's dream of stardom has come true but Violet seems no closer to
her dream of finding a husband. At a fancy New Year's Eve party, Buddy
tries to cheer up Violet and ends up proposing marriage. Afterwards,
Terry imagines what it would be like to be alone with Daisy. In an
onstage number, Buddy, Violet and Daisy issue an upbeat invitation to
their wedding. But backstage both Daisy and Buddy separately express
doubts as to how the arrangement will work. Jake overhears Buddy and,
in an effort to save Violet from seemingly imminent heartbreak,
confesses that he has loved her for years. The night before Violet and
Buddy's wedding as the grand finale of the Texas Centennial, Daisy is
feeling left out. To appease her, Terry suggests going where they
could be more-or-less alone together, the tunnel of love. The big day
arrives. Hawkers sell tickets and souvenirs. But in the dressing area,
complications arise. Jake announces he is leaving. Buddy confesses
he's not strong enough to marry Violet. Daisy offers a solution which
will ensure a movie contract dependent on the wedding publicity. Terry
cannot bring himself to publicly acknowledge what he feels for
Daisy. She dismisses him and insists that Violet and Buddy go through
with the ceremony, which will at least benefit everyone's career. Left
alone, the twins find solace in each other. As the wedding proceeds,
they reprise "Come Look at the Freaks" with full understanding and
acceptance of who they are and what they are doing.
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